| Word
Court
By Barbara Wallraff
360 pp., $24 By Doug Shaver A subtitle nicely conveys the tone of this book: "Wherein verbal virtue is rewarded, crimes against the language are punished, and poetic justice is done." The irony-deficient might not get it, but this is fair warning that Wallraff hopes to entertain as much as to instruct. She does well at both. The book takes its title from the author’s column in the Atlantic Monthly, where she has been senior editor since 1983, and is largely a sampler from it with commentary. Those who are familiar with William Safire’s series of compilations from his "On Language" column will have the idea. In an introductory chapter, titled "Who Cares," Wallraff gives the reader unfamiliar with magazine, or with the column, an idea of what it is about. People have questions about how to speak or write correctly, and she answers them. Or, they have opinions about how others speak or write, and they solicit her endorsement of those opinions. Sometimes they get it, sometimes they don’t. Wallraff gets to the heart of things with the next chapter, "The Elements of Fashion," addressing an assortment of issues new to the current generation of writers. She notes that in some cases, the current generation only thinks they are new, as when she informs one reader that disrespect is not the neologism he believed it was. A section titled "Sex and the Single Pronoun," she fields queries about female college freshmen, they with singular antecedents, and the like. She tends to favor historical usage over ideology, but says that communication without distraction is what matters most. There can be a good reason for certain evolutions, as Wallraff explains to someone who objected to the expansive gender. The reader noted having been taught that "nouns in romance languages have gender; people, bless their little hearts, have sex." Wallraff replies: The very suggestiveness of your wording suggests something else as well: one reason the word gender is catching on may well be that sex sometimes conveys something – well, sexier than the speaker or writer intends. However, if angering both ends of a spectrum is evidence that one is on the right track, Wallraff is doing fine. To a reader defending political correctness, she writes: If the same reader by this time suspects her of laissez-faire permissiveness, he or she will be relieved by her prescriptive analysis of the distinction between restrictive and nonrestrictive clauses, the latter of which she prefers to call "descriptive clauses." A section on sentence adverbs takes up the issue of hopefully, naturally. Predictably, she finds it unobjectionable in principle to write something like "Hopefully, this explanation will be clear," but she also warns the writer, ". . . many people who care about language happen to loathe this usage." As she implies here and elsewhere, correctness alone is not always sufficient. A reader asks her about the plural of the hole in one to which golfers aspire. It is, she declares, holes in one. "All the same," she adds, "to say ‘two holes in one’ is to ask to be misunderstood." Wallraff explains, as clearly as one can imagine, how to decide between who and whom and to sort out other case issues that seem to befuddle even writers whom one would expect to know better. She expresses a bit of impatience with those who think they are hard questions: "Now, then, will everyone please stop acting as if the difference between the subjective case and the objective case were quantum mechanics, and get it right? It’s not complicated at all." The chapter "Say No More" is a kind of writer’s FAQ, from "A, An" to "Zeds, Zeros," starting about halfway through the book and comprising most of the remainder. "A number of the questions in this chapter are ones to which I once supposed everybody already knew the answer," she notes. That this is not the case is due to the inevitable evolution of our language. An historian, she observes, actually was correct once upon a time in England, and it still has its defenders. This is, arguably, the most entertaining chapter in the book. (She says, about arguably, "It isn’t much loved. And it is newer than many words, having been part of our language for merely a century or so. It has a niche to occupy, however, if we’ll let it.") Most wordsmiths should enjoy browsing through entries on distinctions to be made between bring and take, degree and diploma, lectern and podium, or on whether one’s home town must refer to where one was born, or on what to do if tempted to use literally to modify a figure of speech. Some misusages are so entrenched as to compel evasion by careful writers. Wallraff’s column is published every other month. Is it a bimonthly column, then? Yes, but it would be folly to assume all readers will know that: The prefix bi- "is useless for making clear a rate of recurrence," she says. If a task is deceptively easy, is it more or less difficult than one would suppose? "If you want to be understood, you need to phrase it some other way," she says. Some battles still remain worth fighting, though. On the difference between every day and everyday, she remarks, "I refuse to believe that most people can’t tell an adverb or a noun from an adjective." On fortuitous, she comments, Good writers comply with rules. The best writers know when to disregard them. One reason is that, as Wallraff demonstrates repeatedly, many rules are not so well fixed as some of us admitted pedants might wish they were. An appeal to authority might be a legitimate argument in debating grammar or style, but the authorities are not always of one mind, and in any event usage is, after all, the final authority. Word Court is an amusing and enlightening review of scores of cases on which either the jury is still out or, despite all pronouncements by putative legislators, the people persist in their civil disobedience. Doug Shaver is a copy editor at the San Bernadino Sun |
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| Posted 4/09/02 | Return to Review List |